Frightfully Cosy and Mild Stories for Nervous Types

Frightfully Cosy and Mild Stories for Nervous Types by Johnny Mains
Reviewed by Mario Guslandi

In addition to his unrelenting  activity as an editor and promoter  of horror fiction, Johnny Mains  also writes dark stories, a first cluster of which has  been  collected  in “ With Deepest Sympathy”, published in 2010 by Obverse Books.

The present volume assembles a further  dozen of  tales, none of which can be defined as outstanding, none as a misfire. Mains provides consistently good material, enjoyable and entertaining, which won’t spellbind  nor disappoint horror readers. This is probably what Mains means to say when he calls himself “a minor writer”, that he’s the king of  fictional aurea mediocritas ( but aurea,after all, means golden, not a minor achievement).

The topics addressed by the stories featured  in the volume are rather diverse.

In The Cure a cancer patient follows un unusual, unorthodox treatment, while in Head a horror fan finally meets in person, but only fleetingly,  his favourite writer.

Dead Forest Air is a well conceived story taking place in Dachau, in which the horrors of the past blend with those of the present time.

The Jacket revolves around a bomber jacket endowed with peculiar properties , while Aldeburgh featuring the great MR James, discloses the source of inspiration for one of the author’s most famous tales.

Prim Suspect is a delightful noir where two murders (one fictional, one occurring in real life) nicely intertwine.

My favourite  story is The Were-Dwarf, an original piece with a good characterization, hilarious and horrific at the same time, a fine example of Mains’ potential as an author. Hopefully he will provide many more stories like that in the near future.

Published by Shadow Publishing - more information and ordering details can be found on their website here.

The Female of the Species

The Female of the Species and Other Tales of Terror by Richard Davis 

Reviewed by Mario Guslandi 

Mostly known as an editor of horror fiction (for instance, the celebrated Year’s Best Horror Stories anthologies) and of TV horror productions (e.g. BBC’s Late Night Horror series) Richard Davis (1935-2005) has also been the author of a handful of short stories, appeared in various renowned anthologies in the UK, but never before collected in a single volume. Praise then to Shadow Publishing for assembling Davis’ horror tales in a long overdue collection, enriched by two rare essays of the author about horror genre.

The eleven stories featured in the present book portray a writer well trained in the genre’s canons and literary tricks, providing many entertaining and pleasantly disquieting, shivering moments to the reader.

The title story, rather predictable but very enjoyable, tells how a man, after his wife’s death, discovers unpleasant secrets about her and about the she-cat he has recently accommodated in the house.

Elsie and Agnes is a delightful tale about sisterly hate, with a nice twist in the tail, whereas Day Out is an excellent, tongue-in-cheek ghost story.

In The Clump Caribbean horrors take hold of two American tourist, saving, at the same time, the life of their wife and mother, while in Nondescript we make the acquaintance of an evil and powerful creature in the shape of a repulsive, bizarre artifact.

The splendid The Lady by the Stream portrays a lonely spinster and her odd affection for a young boy, while the strong, compelling The Inmate features a woman obsessed with a gorilla belonging to his wealthy husband’s personal menagerie. In both cases the women’s passions will lead to tragic consequences.

The Sick Room, a quite horrific story, told in a restrained narrative style, revolves around a peculiarly haunted room while the long, well crafted Guy Fawkes Night puts together the pieces of a past, unsolved puzzle, the explanation of which was lost in a bonfire.

Davis’ stories are well worth reading and it was high time to pay homage to an unprolific writer whose talent was unjustly put in the shade by his editorial activities.

Published by Shadow Publishing, 2012 at £ 7.99

Rough Music

Rough Music by Simon Kurt Unsworth
Reviewed by Mario Guslandi

If this novelette (or longish short story) were appearing in a mass market anthology instead of being published as a chapbook with a limited print run (Spectral Press) I’m sure it would already be considered as a little literary classic, a modern apologue about sin, guilt and punishment.

Cornish, a man who has been recently cheating on his wife, keeps waking up in the middle of the night because of the noise made by a masked individual beating on a pan. The noise, that nobody else seems to hear, becomes increasingly loud as the masked man is joined by a whole group of people. Little by little some of the mysterious performers disclose their true identities , so much so that it becomes apparent that Cornish is the target of the night racket.

Unsworth’s narrative style is allusive but solid, as shown by the excellent initial description of the sensations elicited by waking up around 3 a.m., an experience we are all familiar with.

Imbued with a strong symbolism and seasoned with a touch of old fashioned moralism, the story confirms once again what various masters of dark fiction have been teaching us in their work, namely that the truest, scariest horror in life lies within us, at the very depth of our soul.

Rough Music is available from Spectral Press here. More information about Simon Kurt Unsworth can be found on his blog here.